Removing the context from a quote by bell hooks

tranqualizer:

theraceproblem:

Recently the following quote by bell hooks was shared and reblogged on tumblr over 350+ times:

“White supremacist power is always weakened when people of color bond across differences of culture, ethnicity, and race. It is always strengthened when we act as though there is no continuity and overlap in the patterns of exploitation and oppression that affect all of our lives. To ensure that political bonding to challenge and change white supremacy will not be cultivated among diverse groups of people of color, white ruling groups pit us against one another in a no-win game of “who will get the prize for model minority today.”

However, if you read the full text of the bell hooks essay from which this quote came, you will notice that the quote was actually spliced from two different paragraph. It seems that the quote was deliberately constructed to remove the discussions of anti-blackness among non-Black people of color, which was a central point in bell hooks’ essay.

Here’s the full two paragraphs that the quote came from. The italicized is the above quote and the bolded is the ignored text.

Just as many white Americans deny both the prevalence of racism in the United States and the role they play in perpetuating and maintaining white supremacy, non-white, non-black groups, Native, Asian, Hispanic Americans, all deny their investment in anti-black sentiment even as they consistently seek to distance themselves from blackness so that they will not be seen as residing at the bottom of this society’s totem pole, in the category reserved for the most despised group. Such jockeying for white approval and reward obscures the way allegiance to the existing social structure undermines the social welfare of all people of color. White supremacist power is always weakened when people of color bond across differences of culture, ethnicity, and race. It is always strengthened when we act as though there is no continuity and overlap in the patterns of exploitation and oppression that affect all of our lives. 

To ensure that political bonding to challenge and change white supremacy will not be cultivated among diverse groups of people of color, white ruling groups pit us against one another in a no-win game of “who will get the prize for model minority today.” They compare and contrast, affix labels like “model minority,” define boundaries, and we fall into line. Those rewards coupled with internalized racist assumptions lead non-black people of color to deny the way racism victimizes them as they actively work to disassociate themselves from black people. This will to disassociate is a gesture of racism. 


Why was the  bolded text ignored? Why would you not at least add the full context of the quote? Why deliberarely remvoe discussions of anti-blackness among people of color? Anyway, here’s the full essay

important context and reminder for non-black people of color to keep ourselves accountable to the ways we are raised to be anti-black and participate in white supremacy. 

i apologize for reblogging the italicized without full context and erasing the ways non-black poc perpetuate white supremacy and will be working to continue to read further into the works of black writers and revolutionaries to avoid assuming that it’s always applicable to me.

(via brujitaxicanita)

erqo:

Quelqu’un m’a dit by Carla Bruni

(via wah-mos)

hungrylikethewolfie:


I walk into a room, and for this industry, I’m impossibly tall. When they find it hard to pair you up with the opposite sex, then what’s left for a woman? Either you’re the ball-buster or the not-so-attractive girlfriend standing by the lead. I mean, traditionally not so attractive. Because you have your starlets and then you have their best friends who are these character actresses. When you fall within the cracks, you thank God for sci-fi, because they’ll give you a gun, and they’ll say, ‘Go over there and conquer that world. You kick some ass, girl!’

Gina Torres for ANY AND EVERY FUCKING ROLE SHE WANTS

hungrylikethewolfie:

I walk into a room, and for this industry, I’m impossibly tall. When they find it hard to pair you up with the opposite sex, then what’s left for a woman? Either you’re the ball-buster or the not-so-attractive girlfriend standing by the lead. I mean, traditionally not so attractive. Because you have your starlets and then you have their best friends who are these character actresses. When you fall within the cracks, you thank God for sci-fi, because they’ll give you a gun, and they’ll say, ‘Go over there and conquer that world. You kick some ass, girl!’

Gina Torres for ANY AND EVERY FUCKING ROLE SHE WANTS

(via note-a-bear)

note-a-bear:

!!!!!!!!!!

YASSSSSSSSSSSSSS

I sit before flowers
hoping they will train me in the art
of opening up

Shane Koyczan, The Student

(via finedineonmyvegangenitalia)

Sallie Mae can fuck right off.

songofdork:

“Bedouin Dress” by Fleet Foxes.

If to borrow is to take and not return
I have borrowed all my lonesome life
And I can’t, no I can’t get through
The borrower’s debt is the only regret of my youth

And believe me it’s not easy when I look back
Everything I took got soon returned
Just to be at Innisfree again
All of the sirens are driving me over the stern

(via finedineonmyvegangenitalia)

Some people underestimate how erotic it is to be understood.

Mary Rakow

(via tealeggwarmers)

braiker:

i’m not crying, i just have allergies. don’t look at me. 

kenyatta:

Reddit: It’s not just horror and gore coming from the Russian dash cams.

(via note-a-bear)

More girls have been killed in the last FIFTY years, precisely because they were girls, than men were killed in ALL the battles of the 20th century.

More girls are killed in this routine gendercide in any ONE decade, than people were slaughtered in ALL the genocides of the 20th century.

Nicholas KristofHalf the Sky

Read that AGAIN.

(via kateoplis)

(via note-a-bear)

I was a wolf, dear, apart from the pack 
But you answered my cries in the dead of the night 
And told me that you had my back, oh

(via finedineonmyvegangenitalia)

dynamicafrica:

Somali poet Warsan Shire has become the first winner and recipient of the Brunel University African Poetry Prize.
Out of a total of 655 entries, Shire was shortlisted along with six other African up-and-coming poets. 
The 24-year-old Kenyan born, England-raised poet has read her work globally, and her poetry pamphlet Teaching My Mother How to Give Birth was published in 2011 by flipped eye.
The judges praised Warsan’s poetry for its combination of substance, beauty and drama. Her work was described as “…beautifully crafted, subtle and understated in its use of language and metaphor yet still able to evoke a strong sense of mood and place that touches the reader.” 

“I’ve never been to Somalia, and I’m Somali. So the poems for me are a way of creating a connection to a country I’ve never been to. I don’t know how it feels to belong, or to be home or anything like that,” - Shire

dynamicafrica:

Somali poet Warsan Shire has become the first winner and recipient of the Brunel University African Poetry Prize.

Out of a total of 655 entries, Shire was shortlisted along with six other African up-and-coming poets. 

The 24-year-old Kenyan born, England-raised poet has read her work globally, and her poetry pamphlet Teaching My Mother How to Give Birth was published in 2011 by flipped eye.

The judges praised Warsan’s poetry for its combination of substance, beauty and drama. Her work was described as “…beautifully crafted, subtle and understated in its use of language and metaphor yet still able to evoke a strong sense of mood and place that touches the reader.” 

“I’ve never been to Somalia, and I’m Somali. So the poems for me are a way of creating a connection to a country I’ve never been to. I don’t know how it feels to belong, or to be home or anything like that,” - Shire

(via note-a-bear)